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My Failed Career as a Street Photographer | Ewan Feek

  • Sep 16, 2025
  • 2 min read
A woman walks past three classic red London telephone boxes on a busy street, captured in a candid disposable camera style.

From as early as I can remember, I’ve been fascinated by photography. I was about 13 when the documentary Everybody Street came out, Cheryl Dunn’s film about New York’s legendary street photographers. I was hooked instantly. Bruce Gilden, with his bold use of flash and in-your-face approach, left a lasting impression on me.


That Christmas I asked for my first camera. I’d tell my mum I was heading into our local town for the day, but in reality I was catching the train from Uxbridge into central London, spending hours photographing strangers on the street.


Some people might think that’s a bit odd, but for me it was art. Street photography felt like a way of capturing life as it really was, raw, unfiltered, and often fleeting. Looking back, those pictures caught a side of London that has since changed dramatically.



One image that still stands out was taken on Westminster Bridge. A group were running a scam, and I managed to take a picture before anyone noticed. Moments later, one of them threatened to throw my camera into the Thames if I didn’t stop. Not bad for a 13-year-old’s first taste of documentary work.


Black and white street photo of a man holding out cash toward the camera as a crowd of onlookers gathers around him in a busy city setting.

Later, I came up with a project I called “Disposable Britain.” The idea was to shoot exclusively on disposable cameras for a year. The disposables themselves felt symbolic: at the time, London seemed full of things - ideas, efforts, even lives - that were treated as disposable. Using a throwaway camera to document this struck me as fitting.



I stuck with it for the year, but the idea never grew into the exhibition I imagined. Eventually, my street photography faded into the background.


Who knows - maybe one day I’ll pick it up again. For now, this small gallery is a glimpse into that short-lived chapter. I still have more in print if anyone is curious enough to ask.


Today, that early love of imagery and storytelling has grown into something bigger. At Feek Media Group, we now help others tell their stories through photography, video, and a range of digital marketing services. If you’d like to see what we’re working on these days, take a look at our Our Work page.


— Ewan



2 Comments


bentiecesav.a.ge54.62
Aug 11

Mình chơi xổ số kiểu cho vui là chính, coi như thêm chút hồi hộp mỗi ngày chứ không đặt nặng chuyện đổi đời. Trước đây nghe bạn bè bàn tán về mấy “cầu” này kia, mình cũng thử để ý xem có gì hay ho không. Theo dõi một thời gian thì thấy đôi lúc có vài dạng số lặp lại, nên mỗi lần đọc dự đoán ở đâu đó mình thường ghi lại vài ý, rồi chờ kết quả để so xem mình có đang tự ảo tưởng không. Có hôm trúng chút đỉnh thì cười cả buổi, nhưng cũng không ít lần trật hoàn toàn nên mình luôn tự nhắc phải tỉnh táo, giữ tiền và giữ…

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bentiecesav.a.ge54.62
Aug 07

Trước đây mình cũng hay lướt mấy bài kiểu phân tích để đọc cho biết thôi, chứ không đặt nặng chuyện đúng sai. Có thời điểm mình bị cuốn theo cảm giác “gần trúng rồi”, cứ ngồi soi tới soi lui, thành ra đầu óc lúc nào cũng căng vì nghĩ nhiều quá. Về sau mình tự nhắc đổi thói quen: đọc để xem người ta lập luận ra sao, họ dựa vào thống kê, chu kỳ hay kinh nghiệm, rồi mình chọn lọc lại phần nào hợp lý với mình. Mình còn thử ghi chú vài dự tính của bản thân, rồi quay lại đối chiếu xem có tự ám thị hay thiên kiến không, thấy cũng giúp bình…

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